Bewilderment, Unprepared: “Born, Never Asked”

As you ascend the stairs of Metro Pictures, the tangerine walls reflect on the glossy white gallery floors and bounce into your eyes. At the top of the stairs, an odd image of a green hairy monster embracing (or restraining) and fingering an orange woman welcomes you to the exhibition. The image makes you do a double take – what is happening here? – and sets the tone for the show.

henrot tender

In Thy Tender Care, 2015. Watercolor on paper mounted to dibond, 21 by 29 inches. Image: Metro Pictures, NYC.

Violence. At first there is whimsy – playful, cartoon-like watercolor and ink images in pastel tones; flowing lines that at a glance seem fitting of a children’s book.

Whimsy. On closer inspection the forms are grotesque and the cheerful lines are violent: hands and mouths on unsatisfied erections, distorted animals and women, twisted familial and romantic relationships, blood smear-splatters as in afterbirth or menstruation or pain.

The show is possessive, primal, impulsive. Romance is reduced to strange intimate encounters, portrayed as if in a dream (or perhaps a nightmare). The delicacy and almost-minimalism of the images remains figurative and graphically narrative, clear but confusing.

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Nothing to Wear to Work 2, 2015. Watercolor on paper mounted to dibond, 29 by 21 inches. Image: Metro Pictures, NYC.

The sex acts – entering and exiting of mingling forms – feel invasive rather than loving as heads are pushed to the side and limbs splay out, and yet there remains a careful curiosity within the images that intrigues and almost endears. Consent seems almost forgotten, and yet none of the molten figures appears to feel out of control – there is a balance in the lustful vulnerability. Born, Never Asked: is this about the result or the act of creation?

Turning from wall to wall, you are unsure how to feel, and you embrace the multiplicity and ambiguity – these orange womb-like walls have you tucked in, surrounded by images that are buoyant at first sight, but leave a heavy pull at the back of your mind as you turn to the next one. Color, line, and order – each of the systems by which humans organize and orient themselves – are all unsettled and re-mixed in an offbeat phantasmagoria.

You look down, and find that your hands have taken on an unfamiliar hue as the walls project themselves onto you.

Henrot installation

Born, Never Asked installation view, 2018. Image courtesy of Metro Pictures, New York.

Camille Henrot, Born, Never Asked, is at Metro Pictures ( 519 W. 24th St., NYC) through June 9, 2018

 

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